HSX Forum

Movies

Great post. In the last year, I've really enjoyed much of the streaming offerings. It takes something special to get me to the theater.

Posted by: RollingThunder on Apr 27, 09:49 in response to lesana's post Certainly spectacle is mostly what's drawing audiences...

It doesn't have to be a superhero film; rather, I'm looking for a fresh take, a new idea, something that makes it feel like my hard earned money is worth going to.Ā  I used to visit the theater for something to do but Netflix, Hulu, etc are raising the expectation for Hollywood, I think.

Will the emphasis on comic book sequelry be the savior of the big screen, the end of it, or neither? DTXbro Apr 27, 09:12

nothing lasts forever. the unknown variable is how long "forever" actually is in this case {nm} slipping jimmy Apr 27, 09:30

(sooner or later some smart exec will see that it's more profitable to make $100+m on a $25m budget than spending $250m to chase $500m) {nm} slipping jimmy Apr 27, 09:38

I think you need to double check your math there my friend ($250m>$75m) {nm} Moviesnob Apr 27, 09:44

but you can make 10 of those for 1 comic movie (not all are going to hit the jackpot every time but singles, doubles, and triples are good) {nm} slipping jimmy Apr 27, 09:48

But sequels/franchise films are the surest way to make money. The risk is greater for originals. Why hit a few singles when every film can Moviesnob Apr 27, 09:53

no risk is great until the model stops working completely. having nothing much else in the pipeline will be fun to watch when it comes slipping jimmy Apr 27, 10:04

the problem with comparing now to the 70's is there's growth in other revenue streams. Studios mitigate their loses through them and through Moviesnob Apr 27, 10:13

that was the DVD model until it died. use the extra revenue from home video to finance the "middle" and mitigate loss from big-budget flops slipping jimmy Apr 27, 10:31

broadcast is the main revenue stream now and DVDs covered loses mostly from mid range flops that the studios have basically stopped making {nm} Moviesnob Apr 27, 10:32

that's a good question or further info is needed. what films are big stuidos afraid of now? lobogotti Apr 27, 11:51

things in the $25-50m budget range, e.g., the rom-com, adult "prestige" drama, even straight up comedies {nm} slipping jimmy Apr 27, 12:06

product that doesnt travel well overseas (Supertroopers 2) {nm} Moviesnob Apr 27, 13:09

yup, proportionately on box office absolutely. But the component we're not taking into account here.... ronin66 Apr 27, 10:30

licensing only became a thing because Alan Ladd, Jr. took a flyer on George Lucas with an unknown script that became the biggest movie ever slipping jimmy Apr 27, 10:33

the fault in your logic is finding enough material to make several movies to make more $$ than one big one. tradermark Apr 27, 11:19

there is literally an infinite supply of original spec scripts if any studio so chose to develop them. {nm} slipping jimmy Apr 27, 11:30

I won't disagree the supply is there but making it adaptable is the key and i'd argue it doesn't all lend it itself to tradermark Apr 27, 11:38

spec scrips used to sell for several million dollars in the heyday of the 80s and 90s. studios obviously thought they were filmable then slipping jimmy Apr 27, 11:46

Like what? Early Superman movies? Gene Hackman as Lex Luthor? Novelty of those movies made money. tradermark Apr 27, 12:22

Shane Black started it with Lethal Weapon. {nm} slipping jimmy Apr 27, 12:25

good questions and observations. I tend to agree. but yeah, what does a decade from now look like at big box {nm} lobogotti Apr 27, 09:41

Certainly spectacle is mostly what's drawing audiences into the theatre and away from excellent tv content. lesana Apr 27, 09:45

Great post. In the last year, I've really enjoyed much of the streaming offerings. It takes something special to get me to the theater. RollingThunder Apr 27, 09:49

they're buying cause that's what we're making. make something else and they still might buy that too. Steve Jobs never cared what consumers slipping jimmy Apr 27, 09:49

Advertising is designed to make you feel like you want to have something you don't really need. They are great at it.. RollingThunder Apr 27, 09:53

studios have gotten great at knowing what people want & theres more than enough choice out there. 90% of all films released are originals {nm} Moviesnob Apr 27, 10:00

coming soon: DeathOnTheNile; DrDoolittle; Mowgli; TheNutcracker; RobinHood; Holmes/Watson; ...the ancient school of superhero franchises! {nm} RazorHawk Apr 27, 10:31

Coming soon to a theater near you? Or coming soon (enough) to Netflix, Amazon Prime, Redbox, etc? {nm} DTXbro Apr 27, 15:04

You would likely make more HSX money if you were aware of what moviestocks are listed and their scheduled release dates. {nm} RazorHawk Apr 29, 15:43

i don't know the actual comic book industry well enough to say, but the impression i get is that they keep developing new series constantly slipping jimmy Apr 27, 10:36

i think the most recent characters are from the early 90's in film, nothing later. tradermark Apr 27, 11:21

How many people buy or read or care about comic books? And, just as important, how many of those comic book readers can DTXbro Apr 27, 11:44

Not if we have anything to say about it {nm} JKRAS & JPEEL Apr 27, 10:53

and yet Paramount's first instinct when a movie that has a clear definite ending succeeds is to say "sequel franchise!" slipping jimmy Apr 27, 11:38

I see those superhero-films like themeparkrides. Kids and young adult events. When these kids grow up, they Will go see more adult themed... JMT-NL Apr 27, 11:17

somewhat related: Simpsons about to surpass Gunsmoke's 635 ep. record (in the 1950s and 60s, westerns were the comic book movies of the day) slipping jimmy Apr 27, 11:34

Sure were. And while delivery may differ both are succeeding on the big and little screen. {nm} tradermark Apr 27, 12:15





Post a Reply

To post to the forums you must first login!


Edward Norton (ENORT) 25000 30.26 (+0.35)          Tuner (TUNER) 150000 4.47 (-0.11)          The Surgeon (SURGN) 100000 8.07 (+0.83)          Zoey Deutch (ZDEUT) 25000 34.89 (+2.74)          Tuner (TUNER) 150000 4.47 (-0.11)          Angourie Rice (ARICE) 25000 128.73 (0.00)          Tony (TONY) 150000 17.22 (+0.15)          The Haunting of Hotel Transylvan (HTRN5) 10000 83.43 (+1.40)          Poetic License (PLICN) 150000 7.10 (+0.84)          Ben Wang (BWANG) 25000 33.70 (-0.31)          Penelope Cruz (PCRUZ) 25000 10.95 (+1.48)          Ben Wang (BWANG) 25000 33.70 (-0.31)          David Dastmalchian (DDAST) 25000 9.35 (0.00)          Dwayne Johnson (TROCK) 25000 144.68 (+0.10)          Dwayne Johnson (TROCK) 25000 144.68 (+0.10)          One Night Only (ONTON) 150000 23.39 (+0.78)          Lily James (LJAME) 25000 40.55 (-0.16)          Olivia Wilde (OWILD) 25000 35.40 (-0.59)          The Housemaid's Secret (HMAI2) 150000 95.40 (+0.25)          Olivia Wilde (OWILD) 25000 35.40 (-0.59)          Clayface (CLAYF) 150000 80.52 (+0.95)          Clayface (CLAYF) 150000 80.52 (+0.95)          Alicia Vikander (AVIKA) 25000 0.50 (-1.70)          Seth Rogen (SROGE) 25000 61.75 (-4.75)          Alicia Vikander (AVIKA) 25000 0.50 (-1.70)          Dynamic Duo (DYDUO) 150000 125.86 (-0.25)          Dynamic Duo (DYDUO) 60230 125.86 (-0.25)          Company (COMPN) 37680 7.53 (-0.47)          Sophie Wilde (SWILD) 25000 34.74 (+0.12)          Beware Boiuna aka Legend of the (BOUNA) 150000 19.80 (+0.72)          Zoey Deutch (ZDEUT) 25000 34.89 (+2.74)          The Bell Jar (BLJAR) 150000 10.90 (+0.27)          The Bell Jar (BLJAR) 150000 10.90 (+0.27)          Violent Night 2 (VILN2) 150000 26.44 (+2.27)          John Slattery (JSLAT) 25000 53.54 (-1.76)          Coyote vs. ACME (CVACM) 150000 52.64 (-0.36)          Coyote vs. ACME (CVACM) 90656 52.64 (-0.36)          Dwayne Johnson (TROCK) 25000 144.68 (+0.10)          Jon Hamm (JHAMM) 25000 59.87 (-13.43)          Violent Night 2 (VILN2) 150000 26.44 (+2.27)          Penelope Cruz (PCRUZ) 25000 10.95 (+1.48)          Jon Hamm (JHAMM) 25000 59.87 (-13.43)          Jeffrey Wright (JWRIG) 25000 63.86 (-0.67)          Golshifteh Farahani (GFARA) 25000 49.28 (+0.17)          Dwayne Johnson (TROCK) 25000 144.68 (+0.10)          Avengers: Doomsday (AVNG5) 109266 564.49 (+8.17)          Jude Law (JLAW) 25000 20.09 (+0.27)          Jude Law (JLAW) 25000 20.09 (+0.27)          Olivia Wilde (OWILD) 25000 35.40 (-0.59)          Adria Arjona (AARJO) 25000 21.48 (-0.12)