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I agree with the blame, but I'm still curious about the commentary. There is an audience who will pay theatrical for early access.
I've never understood (mostly from ignorance) why somehing like "Glass Onion" couldn't have a week of exclusive theatrical to make more money for Netflix than immediate streaming. I'm old school--what do you lose from short theatrical (for a big ticket) release compared to what you gain from exclusivity?
I have HBOMax and don't care about Elvis, so I'm happy to see I can watch it for "free" later. But I'd consider seeing Glass Onion in a theater "early" since I don't have Netflix. And, like me, I highly doubt a Netflix customer cares about waiting a week to see Glass Onion. . .so there is an audience of "X" size. I'm guessing the awsomely informed audience here will explain how the requisit advertising costs kill the profit?
Matthew Belloni: "Glass Onion" will not get a real theatrical exclusive release, I'm told Sep 08, 21:54
"You trusted us. You ****ed up!" {nm} Sep 08, 22:23
I am happy to show you how to buy tickets to see this in the theater or how to watch this on your TV {nm} Sep 09, 01:10
I agree with the blame, but I'm still curious about the commentary. There is an audience who will pay theatrical for early access. Sep 09, 01:32
Glass Onion will have at least a week of theatricak exclusivity. RJOHN wanted much more. {nm} Sep 09, 06:41
if more was his understanding of the original Knives Out deal, just walk from the rest of them. {nm} Sep 09, 08:23
Jeff Sneider: Belloni confirms Lindelof SW project is real but Kennedy hasnt greenlit Sep 08, 22:37
