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yes and no. He knew Netflix was the distributor. I think the best way to consider this debate is the two experiences - seeing a movie on the

Posted by: Moviesnob on Feb 26, 01:21 in response to RogerMore's post I saw it in a theatre and Cuaron definitely made the...

big screen and seeing a movie at home - the difference there (audio and visual) is less in 2019 than it was in 1999

There's some irony in the fact that ROMA did so well with the netflix "theatrical" and awards campaign that the handful of companies that handle foreign language content would be more likely to grab the next ROMA ($15m budget, auteur passion project, foreign language). thats already happening.Ā 

Aside from auteur filmmakers, the most commercial awards title I've seen so far this year (THE FAREWELL) is 80% foreign language. I should observe I think LATE NIGHT has real problems in the prestige space and Amazon is gonna spend some bucks proving me wrong about this so I'm gonna stop talking





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